Darkness on the Edge of Town album cover
Darkness on the Edge of Town

Bruce Springsteen

1978
Columbia

The sound of trying to stave off the Rust Belt’s oxidization with Camaro burnouts and a belief in the promised land, Springsteen’s hype-proving all-nighter was a hell of a way to narrow the line between the nerves that fuel teenage restlessness and the grind that drives grown-folks anguish. Even the quieter moments have a slow-boil tension, and the louder ones — “Adam Raised A Cain”; “Badlands”; “Candy’s Room” — knock you flat.

Nate Patrin

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