Carlos, Erasmo...
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Tropicália, Brazil’s subversive artistic movement led by musicians with lysergic and anti-nationalist leanings, had faded by the 1970s. Yet songwriter Erasmo Carlos gathered several remaining Tropicálistas early that decade to craft Carlos, Erasmo..., a psychedelic pop gem bursting with orchestral touches and even a church bell beat on “Agora Ninguém Chora Mais.”