Love’s Illusion (Music From The Montpellier Codex 13th-Century) cover

Love’s Illusion (Music From The Montpellier Codex 13th-Century)

Released

The Montpellier Codex is the most famous collection of polyphony from the 13th century, and Anonymous 4’s is the most successful, satisfying contemporary animation of it. The short motet, “Ne sai que je die,” for instance, showcases the group’s athletic unison singing. It is one of many pieces from the Codex that become easily digestible in the hands of Anonymous 4. Those seeking complexity, though, will also find it here, as these pieces often pile melodies, texts, and meanings into single, compressed wholes.

Sean Wood

Suggestions
Fricassée Parisienne cover

Fricassée Parisienne

Antoine Sicot, Claude Debôves, Dominique Visse, Michel Laplénie, Philippe Cantor
Handel: Messiah cover

Handel: Messiah

Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
Carthage cover

Carthage

The Crossing, Donald Nally
The Bath cover

The Bath

Emma Houton
Stravinsky: Symphony of Psalms cover

Stravinsky: Symphony of Psalms

Berlin Philharmonic Orchestra, Pierre Boulez
Palestrina: Missa pro defunctis; Motets cover

Palestrina: Missa pro defunctis; Motets

Chanticleer, Giovanni Pierluigi da Palestrina
French Chansons cover

French Chansons

Claudin De Sermisy, Clément Janequin, Josquin Des Prez, Roland De Lassus, Scholars of London, The Scholars
Aleotti: Le Monache di San Vito cover

Aleotti: Le Monache di San Vito

Candace Smith, Cappella Artemisia
Farrenc: Symphonies Nos 1 & 3 cover

Farrenc: Symphonies Nos 1 & 3

Insula Orchestra, Laurence Equilbey