Love’s Illusion (Music From The Montpellier Codex 13th-Century) cover

Love’s Illusion (Music From The Montpellier Codex 13th-Century)

Released

The Montpellier Codex is the most famous collection of polyphony from the 13th century, and Anonymous 4’s is the most successful, satisfying contemporary animation of it. The short motet, “Ne sai que je die,” for instance, showcases the group’s athletic unison singing. It is one of many pieces from the Codex that become easily digestible in the hands of Anonymous 4. Those seeking complexity, though, will also find it here, as these pieces often pile melodies, texts, and meanings into single, compressed wholes.

Sean Wood

Suggestions
Adès: Asyla cover

Adès: Asyla

Berlin Philharmonic Orchestra, Simon Rattle
Dufay: Flos Florum cover

Dufay: Flos Florum

Ensemble Musica Nova
Julia Wolfe: Fire in My Mouth cover

Julia Wolfe: Fire in My Mouth

Jaap van Zweden, New York Philharmonic
Aleotti: Le Monache di San Vito cover

Aleotti: Le Monache di San Vito

Candace Smith, Cappella Artemisia
 Schütz: Motets and Concertos cover

Schütz: Motets and Concertos

English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner
Palestrina: Missa pro defunctis; Motets cover

Palestrina: Missa pro defunctis; Motets

Chanticleer, Giovanni Pierluigi da Palestrina
Choruses And Chorales From J.S.Bach: St Matthew Passion cover

Choruses And Chorales From J.S.Bach: St Matthew Passion

Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
David Lang: The Little Match Girl Passion cover

David Lang: The Little Match Girl Passion

Ars Nova Copenhagen, Paul Hillier, Theatre of Voices
Hildegard Von Bingen: Heavenly Revelations cover

Hildegard Von Bingen: Heavenly Revelations

Oxford Camerata, Jeremy Summerly