The sounds of Somalia’s Golden Era of music — when tourists and locals flocked to Lido Beach and dressed up in the latest fashion to attend nightly gigs in the Mogadishu’s coolest clubs —was defined by bands like Dur Dur, Bakaka, and Waaberi, who merged disco, soul, and funk with tribal chants and spiritual Saar music. New musical technologies contributed to the development of the Golden Era sound, as bands like Iftin made synthesizers the center of the music, like on the spellbinding “Sirmaqabe” (No Secrets) and the optimistic, uplifting “Ii Ooy Aniga” (Cry For Me).