Por la hierba que besa mis tobillos cansados

Mexico City musician Diego Cornejo makes ambient drones built around loops, folding sound into gorgeous passages where gentle keyboards provide melodies while buzzing electronics add shades of either calmness or disturbance. “Presque vú” is a prime example of the contrasts Un rêve can conjure while tracks like “1989” recall the earliest examples of post rock with its mixture of sound waves and cinematic vision, resulting in an ambient album that provides a wordless narrative of subtle emotions.