The Tumbler

Recorded for roughly 200 pounds, though done in a proper studio, Martyn’s second album is of a piece with the first. Al Stewart produced, and flutist Harold McNair was properly credited for his work. Martyn was still working his way through the predominant folk styles of the British moment (1967/68). There are bits of backward tape work and the flute opens things up, but it’s still the work of others through Martyn’s fingers. When he opens up, it won’t be with woodwinds or sitars or tape play. This and the debut, taken together, are a fantastically lively pair of records for those who have tired of their Davey Graham and Bert Jancsch albums. Though he never returned to his roots, Martyn made two massive contributions to British folk.