Although the term has come to be used as a synonym for “relatively quiet” (particularly in the context of dance music, where one might encounter “ambient techno” and even “ambient jungle”), “ambient” music first emerged in the 1970s as music designed explicitly to create a particular atmosphere or “ambience” without commanding one’s attention. Like New Age music it tends to be simple and undemanding, but it does not usually seek to invoke the mystical or spiritual; it can be dark or light in tone, and may or may not incorporate rhythm and identifiable melody. Some ambient music is difficult to distinguish from sound sculpture, particularly if it’s quite harmonically static. Brian Eno is generally credited with helping define the style and popularizing the term “ambient music” in 1978; his album Discreet Music was an early landmark in this style, released in 1975, and he subsequently went on to release a numbered series of albums with the word “ambient” in their titles. Other artists working in this general style have included Harold Budd, Laraaji, O Yuki Conjugate, and Popol Vuh.
Ambient 2: The Plateaux of Mirror
Brian Eno, Harold Budd
Let the Power Fall
Robert Fripp
The Pavilion of Dreams
Harold Budd
Ambient 4: On Land
Brian Eno
Hear No Evil
Bill Laswell
Discreet Music
Brian Eno
Through the Looking Glass
Midori Takada
The Equatorial Stars
Robert Fripp, Brian Eno
Tubular Bells
Mike Oldfield
Ambient 3: Day of Radiance
Brian Eno, Laraaji
Ambient Dub Volume I
Divination
Chance Encounters in the Garden of Lights
Bill Nelson
Ambient 1: Music for Airports
Brian Eno