The term “plainchant” (or sometimes “plainsong”) refers to the unaccompanied liturgical singing that was used in the Christian Church during most of the first millennium C.E. It is sung in unison, without harmony, and without instrumental accompaniment. The type of plainchant most familiar to modern listeners is Gregorian chant, which emerged in the 6th century, but there are other kinds as well, including Ambrosian and Cistercian. The composers of most plainchant melodies are unknown, but there are a few composers whose identities have remained attached to their work – one of the most notable of whom is Hildegard of Bingen, a 12th-century abbess in Germany whose music enjoyed a huge revival of interest in the late 20th century. Catholic, Anglican, and Orthodox Christian churches continue to use plainchant in their worship services today.
Ambrosian Chant (Early Christian Chant Of The Ambrosian Rite)
Alberto Turco, In Dulci Jubilo
Ambrosian Liturgical Chants
Janka Szendrei, László Dobszay, Schola Hungarica
Chants of the Roman Church
Choir of Beirut
Chant cistercien
Chœur Grégorien de Paris
Gregorian Chant: Hymns and Vespers for the Feast of the Nativity
Hubert Dopf S.J., Choralschola Der Wiener Hofburgkapelle
Ordo Virtutum
Sequentia
Chant: Missa Latina
Vox Gotica, Cistercian Monks of Stift Heiligenkreuz
O lux beatissima: A Treasury of Gregorian Chant
Cantores in Ecclesia
Chant grégorien : Les saints dans la gloire
Dom Gaston le Nézet, Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
A Feather on the Breath of God
Gothic Voices, Emma Kirkby, Christopher Page
Gregorian Chant: Salve Regina
Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clervaux, Gregorian Chant
Gregorian Chant: Easter Vigil
Westminster Cathedral Choir, Stephen Cleobury