The term “plainchant” (or sometimes “plainsong”) refers to the unaccompanied liturgical singing that was used in the Christian Church during most of the first millennium C.E. It is sung in unison, without harmony, and without instrumental accompaniment. The type of plainchant most familiar to modern listeners is Gregorian chant, which took shape during the eighth and ninth centuries, but there are other kinds as well, including Ambrosian and Cistercian. The composers of most plainchant melodies are unknown, but there are a few composers whose identities have remained attached to their work — one of the most notable of whom is Hildegard of Bingen, a 12th-century abbess in Germany whose music enjoyed a huge revival of interest in the late 20th century. Catholic, Anglican, and Orthodox Christian churches continue to use plainchant in their worship services today.
Ambrosian Liturgical Chants
Janka Szendrei, László Dobszay, Schola Hungarica
A Feather on the Breath of God
Gothic Voices, Emma Kirkby, Christopher Page
Chant cistercien
Chœur Grégorien de Paris
Ambrosian Chant (Early Christian Chant Of The Ambrosian Rite)
Alberto Turco, In Dulci Jubilo
Gregorian Chant: Salve Regina
Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clervaux
Ordo Virtutum
Sequentia
Chant grégorien : Les saints dans la gloire
Dom Gaston le Nézet, Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Chant: Missa Latina
Vox Gotica, Cistercian Monks of Stift Heiligenkreuz
O lux beatissima: A Treasury of Gregorian Chant
Cantores in Ecclesia
Chants of the Roman Church
Choir of Beirut
Gregorian Chant: Easter Vigil
Westminster Cathedral Choir, Stephen Cleobury
Gregorian Chant: Hymns and Vespers for the Feast of the Nativity
Hubert Dopf S.J., Choralschola Der Wiener Hofburgkapelle