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This is the first of five albums from cellist Thomas Demenga, pairing Johann Sebastian Bach’s cello suites with works by modern composers — in this case, Heinz Holliger. The juxtaposition is duly refreshing. Demenga’s take on Bach’s Suite No. 4 is lilting and heartfelt, capping off a chain of fascinations beginning with Holliger’s Duo für Violine und Violoncello (played with sister Catrin), while Trema for cello alone evokes a psychosomatic disturbance. Between them is the Studie über Mehrklänge for oboe. Played by the composer, it turns an etude of overblowing and multiphonics into an arresting musical experience.