Four Savannah hardcore weirdos took everything they loved (Southern rock, sludge metal, noise rock, prog), dunked them in the swamp, and came out with something that nods to all those but resembles jazz more than anything, the sheer joy of the interplay between the musicians transcending the earthy sounds on twisting tall tales like “Rays on Pinion” and “Isak.” The thrill of the new through the canny combining of the old.