Viaje is a curious album indeed. A collaboration between Argentinian composer Horacio Vaggione and Spanish multimedia artist and electroacoustician Eduardo Polonio, it builds on earlier encounters with live electro-acoustic music, such as Polonio’s involvement with the Alea Música Electrónica Libre collective. Recognisably ‘electronic’ in design, Viaje is a beautiful, unpredictable spiral of synths, organ, electric guitar and bass, with Vaggione and Polonio regularly letting loose a dense electronic slurry into the recording studio, a wild, delirious flux of noise. There’s something strange and inscrutable about Viaje, though; it’s a hard one accurately to parse, which is part of its magic, of course.