I was there. And so were you, most likely, if you’re reading something called “2000s Blogrock” on a website dedicated to recommending and archiving music. Post-9/11, all music shifted with the culture, and indie music especially started to have another renaissance thanks to the rise of blogs and websites like Pitchfork, Stereogum, Consequence of Sound, and countless others. Acts were made or broken by decimal points, you could get away with doing your best Christgau impression in favor of actually talking about the record you’re listening to, and the music itself started to explode with noisy experimentation. Add to this the rise of file sharing and you could spend surprisingly very little time online and scoop up as much new music as humanly possible. A lot of these things still exist. A lot of these people still do, too. For the kids coming up from behind to the edge protectors on the verge of losing the battle, the years from 2001 to 2010 were, and will always be, the wild west of independent music.
Fever to Tell
Yeah Yeah Yeahs
Silent Alarm
Bloc Party
Cripple Crow
Devendra Banhart
Yankee Hotel Foxtrot
Wilco
For Emma, Forever Ago
Bon Iver
Clap Your Hands Say Yeah
Clap Your Hands Say Yeah
Picaresque
The Decemberists
You Forgot It in People
Broken Social Scene
Blueberry Boat
The Fiery Furnaces
Apologies to the Queen Mary
Wolf Parade
Oh, Inverted World
The Shins
Turn on the Bright Lights
Interpol
Ride the Skies
Lightning Bolt
Yellow House
Grizzly Bear
LCD Soundsystem
LCD Soundsystem
Return to Cookie Mountain
TV on the Radio
Twin Cinema
The New Pornographers
Funeral
Arcade Fire
Drum’s Not Dead
Liars
Gulag Orkestar
Beirut
Visiter
The Dodos
Oracular Spectacular
MGMT
Illinois
Sufjan Stevens
Gimme Fiction
Spoon
Bitte Orca
Dirty Projectors
Let It Die
Feist
Mirrored
Battles
Sung Tongs
Animal Collective
Spiderman of the Rings
Dan Deacon
Rip It Off
Times New Viking
Santigold
Santigold
Vampire Weekend
Vampire Weekend