Under the Kraut Rock

Cosmic Jokers cover

Cosmic Jokers

Cosmic Jokers
Crawling To Lhasa cover

Crawling To Lhasa

Kalacakra
Tone Float cover

Tone Float

Organisation
Edge Of Time cover

Edge Of Time

Dom
Ejwuusl Wessahqqan cover

Ejwuusl Wessahqqan

Ejwuusl Wessahqqan
Saat cover

Saat

Emtidi
Collage cover

Collage

Baba Yaga
Bröselmaschine cover

Bröselmaschine

Bröselmaschine
Motherfuckers GmbH & Co KG cover

Motherfuckers GmbH & Co KG

Xhol
Wiesbaden 1973 cover

Wiesbaden 1973

Cosmic Circus Music
A  Meditation Mass cover

A Meditation Mass

Yatha Sidhra
Siloah cover

Siloah

Siloah
Golem cover

Golem

Sand
Elektronische Mythen cover

Elektronische Mythen

Jürgen Karg
Synthetik 1. cover

Synthetik 1.

Seesselberg
Electric Silence cover

Electric Silence

Dzyan
Impressions on Reading Aldous Huxley cover

Impressions on Reading Aldous Huxley

Brave New World
Hölderlins Traum cover

Hölderlins Traum

Hölderlin
Trip • Flip Οut • Meditation cover

Trip • Flip Οut • Meditation

Zweistein
Planet of Man cover

Planet of Man

Code III
Stürmischer Himmel cover

Stürmischer Himmel

Anima-Sound
Weltschmerz cover

Weltschmerz

Siddhartha
Trips und Träume cover

Trips und Träume

Witthüser & Westrupp
Mandalas cover

Mandalas

Limbus 4
Malesch cover

Malesch

Agitation Free
And The Waters Opened cover

And The Waters Opened

Between
Samtvogel cover

Samtvogel

Günter Schickert
Tarot cover

Tarot

Walter Wegmüller
Lord Krishna von Goloka  cover

Lord Krishna von Goloka

Sergius Golowin
Vampire State Building cover

Vampire State Building

Alcatraz

In the five-or-so decades since it emerged, Krautrock has been so exhaustively documented, discussed and dissected that its canon of classic groups and recordings now seem etched in stone: Can, Faust, NEU!, Kraftwerk, Amon Düül II, Ash Ra Tempel, Popol Vuh, etc. Never mind that this canon draws together groups that are wildly variant in sound, form, and approach – this has come to be considered the Krautrock A-list. While there’s no denying the significance and creativity of this material, its condensation has served to exclude many great groups, and albums, from wider recognition. Of course, the still-surprising surge in experimental, avant-garde music from Germany across the seventies led to a robust number of micro-scenes, or collectives, exploring their own universes, as well as plenty of outliers and one-artist-against-the-world hermeticists dreaming their own reality to vinyl. This list compiles thirty such albums, and while its contours are informed by personal taste (so there’s not much in the way of symphonic prog or jazz-rock here, two approaches that seemed to have had particular purchase in Germany at the time), there’s still plenty here to discover and unravel.

Jon Dale